If the story can be challenging to the listener, then surely so can the music itself. I needed to write it up until a certain point and then have it play out.”Įqually, Shauf also tried to break apart some of his crutches when it came to composition and recording. It told me that I needed to not finish the story. The stories that really stick with you are the ones that are going to have enough space for you to keep turning it over in your mind.
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“But the movie crashing really gave me the realisation that what happens in a story is best left to interpretation. I had been watching a frozen movie for five minutes. I was like, ‘This is crazy! I can’t believe he did this.’ And then it crashed. “I watched for like three minutes and thought, ‘This is so intense, this must have been wild at the theatre.’ And then it was five minutes. “There’s a scene where there’s a key sitting on a table, it stopped and it looked like it was zooming in really slowly,” he recalls. David Lynch’s Mullholland Drive was a touchstone for its open-ended narrative, something that challenged Shauf’s desire to always wraps things up with a neat little bow.
In the finished version, Norm is a man called Norm, an apparently solid dude who, as time progresses, is revealed to be more than a little off. Normal songs for a normal record titled Norm. Shauf responded to this realisation by deciding to write a bunch of normal songs – no overarching storyline, no stylistic anchor.
You’re just gonna go back to the real thing eventually.” Having these new records that sound like old records is kind of a novelty. “And if you really want to listen to Aja, you’re gonna listen to Aja. “If you really want to listen to Desire, you’re gonna listen to Desire,” he says. While standing in the embers of his latest plan, though, he decided that looking backwards always led to a dead end. Its predecessor, the ingenious bottle episode The Party, was fired by the sound of Steely Dan’s Aja. The Neon Skyline was folk-rock in the vein of Gordon Lightfoot or Bob Dylan circa Desire. There is an insularity to Shauf’s work that suggests disco would be a difficult fit for him to pull off, but his desire to inhabit certain production spaces is well-founded. READ MORE: “We like to lovingly take the piss out of our fans!” Periphery on why Djent is, actually, a genre.“It was becoming a caricature of what I wanted to make. “I had a chance to reflect on what I was making and realised that it was terrible,” he says on a Zoom call. As the spring of 2020 wore on, he scratched away at the latest in a string of concept pieces before, in his own words, it came to a crashing halt. With the pandemic closing in, and a European tour supporting his LP The Neon Skyline shelved, he hunkered down in his garage studio and attempted to channel the spirit of Björn and Benny. Andy Warhol Museum ^ġ5 – Asbury Park, N.J.For a while there, Andy Shauf went disco. Race Brook Lodge ^Ġ4 – Charlottesville, N.C. Danforth Music Hall ^Ģ6 – Sheffield, Mass. Fine Line Music Hall *Ģ5 – Brussels, Belgium Botanique OrangerieĢ6 – Utrecht, Netherlands TivoliVredenburgĢ4 – Toronto, Ont. Broadway Theatre *Ġ5 – Minneapolis, Minn. You can listen to “Things I Do” and a cut from Shauf’s Daytrotter session below, and find his album details and tour dates further down.Ġ2 – Saskatoon, Sask. 24, 2020, on ANTI-, and can be preordered on vinyl and CD here. The interconnected songs on The Neon Skyline, all written, performed, arranged and produced by Shauf, follow a simple plot: the narrator goes to his neighborhood dive, finds out his ex is back in town, and she eventually shows up. In a similar fashion to Shauf’s 2016 record, The Party, The Neon Skyline’s structure follows a storyline that takes place over the course of a night, according to a press release: Each verse is punctuated by a repeated question: “Why do I do the things I do / When I know I am losing you?” Because of his naïveté, he’s shocked when he comes home to find his partner cheating. Shauf’s self-reflective lyrics lay out the story of a man who wonders why he missed the signs of his failing relationship. “Seems like I should have known better / Than to turn my head like it didn’t matter,” he sings at the beginning. “Things I Do” opens with a laid-back groove highlighted by a soft chorus of saxophones that give way to Shauf’s anecdote. Shauf’s captivating storytelling lays out a crumbling relationship on the single, one piece of the bigger tale told across the record. Canadian indie-folk musician Andy Shauf has returned with a charming new single, “Things I Do,” from his forthcoming concept album The Neon Skyline.
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